noisy and rollicking in his intoxication.

Thus, whatever defects are associated with the principal deities, these
are all natural and consistent with the characters they represent, or
the duties and business in which they engage. Drunkenness is not
associated with Zeus, or unchastity with Hera or Athene. The poets make
each deity consistent with himself, and in harmony with the interests he
represents. Hence the mythology of the poets is elaborate and
interesting. Who has not devoured the classical dictionary before he has
learned to scan the lines of Homer or of Virgil? As varied and romantic
as the "Arabian Nights," it shines in the beauty of nature. In the
Grecian creations of gods and goddesses there is no insult to the
understanding, because these creations are in harmony with Nature, are
consistent with humanity. There is no hatred and no love, no jealousy
and no fear, which has not a natural cause. The poets proved themselves
to be great artists in the very characters they gave to their
divinities. They did not aim to excite reverence or stimulate to duty or
point out the higher life, but to amuse a worldly, pleasure-seeking,
good-natured, joyous, art-loving, poetic people, who lived in the
present and for themselves alone.

As a future state of rewards and punishments seldom entered into the
minds of the Greeks, so the gods are never represented as conferring
future salvation. The welfare of the soul was rarely thought of where
there was no settled belief in immortality. The gods themselves were fed
on nectar and ambrosia, that they might not die like ordinary mortals.
They might prolong their own existence indefinitely, but they were
impotent to confer eternal life upon their worshippers; and as eternal
life is essential to perfect happiness, they could not confer even
happiness in its highest sense.