Beacon Lights of History, Volume 01 - The Old Pagan Civilizations by John Lord
page 84 of 258 (32%)
page 84 of 258 (32%)
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the same things. No wonder that the popular religion at last was held in
contempt by philosophers, since it was not only impotent to save, but did not stimulate to ordinary morality, to virtue, or to lofty sentiments. A religion which was held sacred in one place and ridiculed in another, before the eyes of the same people, could not in the end but yield to what was better. If we ascribe to the poets the creation of the elaborate mythology of the Greeks,--that is, a system of gods made by men, rather than men made by gods,--whether as symbols or objects of worship, whether the religion was pantheistic or idolatrous, we find that artists even surpassed the poets in their conceptions of divine power, goodness, and beauty, and thus riveted the chains which the poets forged. The temple of Zeus at Olympia in Elis, where the intellect and the culture of Greece assembled every four years to witness the games instituted in honor of the Father of the gods, was itself calculated to impose on the senses of the worshippers by its grandeur and beauty. The image of the god himself, sixty feet high, made of ivory, gold, and gems by the greatest of all the sculptors of antiquity, must have impressed spectators with ideas of strength and majesty even more than any poetical descriptions could do. If it was art which the Greeks worshipped rather than an unseen deity who controlled their destinies, and to whom supreme homage was due, how nobly did the image before them represent the highest conceptions of the attributes to be ascribed to the King of Heaven! Seated on his throne, with the emblems of sovereignty in his hands and attendant deities around him, his head, neck, breast, and arms in massive proportions, and his face expressive of majesty and sweetness, power in repose, benevolence blended with strength,--the image of the Olympian deity conveyed to the minds of his |
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