pulpit he has a black gown. He looks very sacerdotal, coldly-
clerical, singularly-sad in each place. His voice is deep toned and
has a melancholy authoritative ring in it. He is fond of making
critical allusions in his sermons; and is rather lengthy in his
talk. Some of the old Puritans used to get to a "nineteenthly point"
in their discourses, but Mr. Rendell has not reached that numeric
climax. He can occasionally get to a fifth point, and then subdivide
it, before giving that final "word of advice" which parsons are so
enamoured of; but he never branches out beyond this stage. His style
of preaching is easy; but it is very solemn. Occasionally he pushes
a little Latin into his discourses and at intervals be graces them
with morsels of Greek. He can be practical sometimes; can say a wise
and generous thing at intervals; but he is often very mysterious,
and has a large reverence for that which very few people can get at-
-"the spiritual sense." Mr. Rendell is an author as well as a
preacher; he has dived into anti-diluvian history, and has tried to
bring up mystic treasures from the post-diluvian period.
Furthermore, he has written a prize essay on "The Last Judgment."
And in addition to everything he is the editor of "The Juvenile
Magazine;" but the salary is only poor. Still he may console himself
with the thought that he gets as much for his annual services on
behalf of modern juveniles as Milton did for his Paradise Lost on
behalf of all posterity--a clear 5 pounds note. He has a sharp eye
in his head, and there is an aristocratic reverentialness in his
look. Learned he is in some things; but we are afraid he is too
profound and sad. He has a good analytical faculty, and is a very
fair polemical writer; but he is very solemn in tone--very serious,
too wise-looking, and phlegmatic. His style of speaking has the ring
of earnestness in it; and his delivery is accompanied with a
tolerable amount of activity. If he were a little more buoyant, if