doubt whether both he and the world around him were not bewitched.
Surely this was his native village, which he had left but the day
before. There stood the Kaatskill Mountains--there ran the silver Hudson
at a distance--there was every hill and dale precisely as it had always
been--Rip was sorely perplexed--"That flagon last night," thought he,
"has addled my poor head sadly!"

It was with some difficulty that he found the way to his own house,
which he approached with silent awe, expecting every moment to hear the
shrill voice of Dame Van Winkle. He found the house gone to decay--the
roof fallen in, the windows shattered, and the doors off the hinges. A
half-starved dog that looked like Wolf was skulking about it. Rip called
him by name, but the cur snarled, showed his teeth, and passed on. This
was an unkind cut indeed--"My very dog," sighed poor Rip, "has forgotten
me!"

He entered the house, which, to tell the truth, Dame Van Winkle had
always kept in neat order. It was empty, forlorn, and apparently
abandoned. This desolateness overcame all his connubial fears--he called
loudly for his wife and children--the lonely chambers rang for a moment
with his voice, and then again all was silence.

He now hurried forth, and hastened to his old resort, the village
inn--but it, too, was gone. A large, rickety wooden building stood in
its place, with great gaping windows, some of them broken and mended
with old hats and petticoats, and over the door was painted, "The Union
Hotel, by Jonathan Doolittle." Instead of the great tree that used to
shelter the quiet little Dutch inn of yore, there now was reared a tall
naked pole, with something on the top that looked like a red night-cap,
and from it was fluttering a flag, on which was a singular assemblage of