of England would entitle our English to far greater admired
excellency, if either the Emperor Augustus or Octavia his sister
or noble Maecenas were alive to reward and countenance them; or if
witty Comedians and stately Tragedians (the glorious and goodlie
representers of all fine witte, glorified phrase and great action)
bee still supported and uphelde, by which meanes (O ingrateful and
damned age) our Poets are soly or chiefly maintained, countenanced
and patronized.'

Of the author of this work, Francis Meres or Meers, comparatively little
is known. He sprang from an old and highly respectable family in
Lincolnshire, and was born in 1565, the son of Thomas Meres, of Kirton in
Holland in that county. After graduating from Pembroke College, Cambridge,
in 1587, proceeding M.A. in 1591 at his own University, and subsequently
by _ad eundem_ at Oxford, he settled in London, where in 1597, having
taken orders, he was living in Botolf Lane. He was presented in July 1602
to the rectory of Wing in Rutland, keeping a school there. He remained at
Wing till his death, in his eighty-first year, January 29, 1646-7. As
Charles FitzGeoffrey, in a Latin poem in his _Affaniae_ addressed to
Meres, speaks of him as '_Theologus et poeta_', it is possible that the
'F.M.' who was a contributor to the _Paradise of Dainty Devices_ is to be
identified with Meres. In addition to the _Palladis Tamia_, Meres was the
author of a sermon published in 1597, a copy of which is in the Bodleian,
and of two translations from the Spanish, neither of which is of any
interest.

Meres's _Discourse_ is, like the rest of his work, mainly a compilation,
with additions and remarks of his own. Much of it is derived from the
thirty-first chapter of the first book of Puttenham; with these
distinctions, that Meres's includes the poets who had come into