An English Garner - Critical Essays & Literary Fragments by Unknown
page 17 of 454 (03%)
page 17 of 454 (03%)
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a periodical founded in 1793, and exceedingly influential between that
time and about 1812. Archbishop Whateley, correcting a statement in the _Life_ of Copleston by W.J. Copleston, says that it was occasioned by a review of Mant's poems in the _British Critic_[2]. But on referring to the review of these poems, which appeared in the November number of 1806, plainly the review referred to, we find nothing in it to support Whateley's assertion. That the reviews in the _British Critic_ are, however, what Copleston is parodying in the critique of _L'Allegro_ is abundantly clear, but what he says about voyages and travels and about science and recondite learning appear to have reference to articles particularly characteristic of the _Edinburgh Review_. It was not, however, till after the date of Copleston's parody that the _Edinburgh Review_ began conspicuously to illustrate what Copleston here satirises; it was not till a time more recent still that periodical literature generally exemplified in literal seriousness what Copleston intended as extravagant irony. It is interesting to compare with Copleston's remarks what Thackeray says on the same subjects in the twenty-fourth chapter of _Pendennis_, entitled 'The Pall Mall Gazette.' This brochure is evidently modelled on Swift's 'Digression Concerning Critics' in the third section of the _Tale of a Tub_, and owes something also to the _Treatise on the Bathos_ in Pope's and Swift's _Miscellanies_, as the title may have been suggested by Shaftesbury's _Advice to an Author_. The _Advice_ itself and the supplementary critique of Milton are clever and have good points, but they will not bear comparison with the satire of Swift and Pope. The excerpt which comes next in this Miscellany links with the name of the author of the _Essay of Dramatic Poesy_ the name of the most illustrious of his contemporaries. The difference, indeed, between Milton and Dryden is a difference not in degree merely, but in kind, so immeasurably distant and alien is the sphere in which they moved and |
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