suspicion, or, perhaps, the conviction, that the rest of the world would,
in all probability, be as obtuse as Ellwood; and to that suspicion or
conviction we appear to owe _Paradise Regained_. The Plague over, Milton
returned to London, settling in Artillery Walk, Bunhill Fields. 'And when
afterwards I went to wait on him there ... he shewed me his second poem,
called _Paradise Regained_, and in a pleasant tone said to me, "This is
owing to you, for you put it into my head by the question you put to me
at Chalfont, which before I had not thought of."' In 'the pleasant tone'
more, and much more, is implied, of that we may be very sure, than meets
the ear. We should like to have seen the expression on Milton's face both
on this occasion and also when, on Dryden requesting his permission to
turn _Paradise Lost_ into an opera, he replied; 'Oh, certainly, you may
tug my verses if you please, Mr. Dryden.' It may be added that _Paradise
Lost_ was not published till 1667, and _Paradise Regained_ did not see
the light till 1671. Ellwood seems to imply that _Paradise Regained_ was
composed between the end of August or the beginning of September 1665,
and the end of the autumn of the same year, which is, of course,
incredible and quite at variance with what Phillips tells us. Ellwood is,
no doubt, expressing himself loosely, and his 'afterwards' need not
necessarily relate to his first, or to his second, or even to his third
visit to Milton after the poet's return to Artillery Walk, but refers
vaguely to one of those 'occasions which drew him to London.' When he
last saw Milton we have no means of knowing. He never refers to him
again. His autobiography closes with the year 1683.

For the rest of his life Ellwood was engaged for the most part in
fighting the battles of the Quakers-esoterically in endeavouring to
compose their internal feuds, exoterically in defending them and their
tenets against their common enemies--and in writing poetry, which it is
to be hoped he did not communicate to his 'master.' After the death of