An English Garner - Critical Essays & Literary Fragments by Unknown
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the _Tatler_ and _Guardian_, throws light on a question which is not only
of great interest in itself, but which has been brought into prominence through the controversies excited by Macaulay's famous picture of the clergy of the seventeenth and eighteenth centuries. Last comes what is by general consent acknowledged to be one of the most valuable contributions ever made to the literature of proverbs, Franklin's summary of the maxims in _Poor Richard's Almanack_. Our first excerpt is the preface to a work which is entitled to the distinction of being the first systematic contribution to literary criticism written in the English language. It appeared in 1553, and was entitled _The Art of Rhetorique, for the use of all suche as are studious of eloquence, sette foorthe in Englishe by Thomas Wilson_, and it was dedicated to John Dudley, Earl of Warwick. Thomas Wilson--erroneously designated Sir Thomas Wilson, presumably because he has been confounded with a knight of that name--was born about 1525, educated at Eton and subsequently at King's College, Cambridge, whence he graduated B.A. in 1549. In life he played many parts, as tutor to distinguished pupils, notably Henry and Charles Brandon, afterwards Dukes of Suffolk, as diplomatist and ambassador to various countries, as a Secretary of State and a Privy Councillor, as one of the Masters of Requests, and as Master of St. Catherine's Hospital at the Tower, at which place and in which capacity he terminated a very full and busy life on June 16th, 1581. The pupil of Sir John Cheke and of Sir Thomas Smith, and the intimate friend of Roger Ascham, Wilson was one of the most accomplished scholars in England, being especially distinguished by his knowledge of Greek. He is the author of a translation, of a singularly vigorous translation, of the _Olynthiacs_ and _Philippics_ of Demosthenes, published in 1570. His most popular work, judging at least from the quickly succeeding editions, appears to have been his first, _The Rule of Reason, conteinynge the Art |
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