Dark Lady of the Sonnets by George Bernard Shaw
page 22 of 57 (38%)
page 22 of 57 (38%)
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as not, she thought The Spanish Tragedy worth six Hamlets. He was not
stupid either: if his class limitations and a profession that cut him off from actual participation in great affairs of State had not confined his opportunities of intellectual and political training to private conversation and to the Mermaid Tavern, he would probably have become one of the ablest men of his time instead of being merely its ablest playwright. One might surmise that Shakespear found out that the Dark Lady's brains could no more keep pace with his than Anne Hathaway's, if there were any evidence that their friendship ceased when he stopped writing sonnets to her. As a matter of fact the consolidation of a passion into an enduring intimacy generally puts an end to sonnets. That the Dark Lady broke Shakespear's heart, as Mr Harris will have it she did, is an extremely unShakespearian hypothesis. "Men have died from time to time, and worms have eaten them; but not for love," says Rosalind. Richard of Gloster, into whom Shakespear put all his own impish superiority to vulgar sentiment, exclaims And this word "love," which greybeards call divine, Be resident in men like one another And not in me: I am myself alone. Hamlet has not a tear for Ophelia: her death moves him to fierce disgust for the sentimentality of Laertes by her grave; and when he discusses the scene with Horatio immediately after, he utterly forgets her, though he is sorry he forgot himself, and jumps at the proposal of a fencing match to finish the day with. As against this view Mr Harris pleads Romeo, Orsino, and even Antonio; and he does it so penetratingly that he convinces you that Shakespear did betray himself |
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