they served to while away a listless hour, there was nothing in them
to strengthen or refresh the soul. The isolation was the more painful
because there was everything around her to remind her of the lost and
the absent. Flora's unfinished embroidery still remained in the frame,
with the needle in the last stitch of a blue forget-me-not. Over the
mirror was a cluster of blush-roses she had made. On the wall was a
spray of sea-moss she had pressed and surrounded with a garland of
small shells. By the door was a vine she had transplanted from the
woods; and under a tree opposite was a turf seat where she used to
sit sketching the cottage, and Tulee, and Thistle, and baskets of
wild-flowers she had gathered. The sight of these things continually
brought up visions of the loving and beautiful child, who for so many
years had slept nestling in her arms, and made the days tuneful with
her songs. Then there was Gerald's silent flute, and the silken
cushion she had embroidered for him, on which she had so often seen
him reposing, and thought him handsome as a sleeping Adonis. A letter
from him made her cheerful for days; but they did not come often,
and were generally brief. Tom came with the carriage once a week,
according to his master's orders; but she found solitary drives so
little refreshing to body or mind that she was often glad to avail
herself of Tulee's company.

So the summer wore away, and September came to produce a new aspect of
beauty in the landscape, by tinging the fading flowers and withering
leaves with various shades of brown and crimson, purple and orange.
One day, early in the month, when Tom came with the carriage, she told
him to drive to Magnolia Lawn. She had long been wishing to revisit
the scene where she had been so happy on that bright spring day; but
she had always said to herself, "I will wait till Gerald comes." Now
she had grown so weary with hope deferred, that she felt as if she