The Mirror of the Sea by Joseph Conrad
page 27 of 212 (12%)
page 27 of 212 (12%)
![]() | ![]() |
|
trimming of the sail-planes to the wind can be done with speed and
accuracy; the unbroken spread of the sail-area is of infinite advantage; and the greatest possible amount of canvas can be displayed upon the least possible quantity of spars. Lightness and concentrated power are the great qualities of fore-and-aft rig. A fleet of fore-and-afters at anchor has its own slender graciousness. The setting of their sails resembles more than anything else the unfolding of a bird's wings; the facility of their evolutions is a pleasure to the eye. They are birds of the sea, whose swimming is like flying, and resembles more a natural function than the handling of man-invented appliances. The fore- and-aft rig in its simplicity and the beauty of its aspect under every angle of vision is, I believe, unapproachable. A schooner, yawl, or cutter in charge of a capable man seems to handle herself as if endowed with the power of reasoning and the gift of swift execution. One laughs with sheer pleasure at a smart piece of manoeuvring, as at a manifestation of a living creature's quick wit and graceful precision. Of those three varieties of fore-and-aft rig, the cutter--the racing rig par excellence--is of an appearance the most imposing, from the fact that practically all her canvas is in one piece. The enormous mainsail of a cutter, as she draws slowly past a point of land or the end of a jetty under your admiring gaze, invests her with an air of lofty and silent majesty. At anchor a schooner looks better; she has an aspect of greater efficiency and a better balance to the eye, with her two masts distributed over the hull with a swaggering rake aft. The yawl rig one comes in time to love. It is, I should think, the easiest of all to manage. |
|