steps under the Duke of York's column across St. James's Park is
beautiful. But even at Westminster meanness jostles splendor, and the
picture is marred by Mr. Hankey's huge tower of Babel rising near. London
has had no edile like Haussmann.

The Embankment on the one side of the Thames is noble in itself, but you
look across from it at the hideous and dirty wharves of Southwark. Nothing
is more charming than a fine water street; and this water street might be
very fine were it not marred by the projection of a huge railway shed. The
new Courts of Law, a magnificent, tho it is said inconvenient, pile,
instead of being placed on the Embankment or in some large open space, are
choked up and lost in rookeries. London, we must repeat, has had no edile.
Perhaps the finest view is that from a steamboat on the river, embracing
the Houses of Parliament, Somerset House, and the Temple, with St. Paul's
rising above the whole.



WESTMINSTER ABBEY [Footnote: From "The Sketch Book." Published by G.P.
Putnam's Sons.]

BY WASHINGTON IRVING


On one of those sober and rather melancholy days in the latter part of
Autumn, when the shadows of morning and evening almost mingle together and
throw a gloom over the decline of the year, I passed several hours in
rambling about Westminster Abbey. I spent some time in Poet's Corner,
which occupies an end of one of the transepts or cross aisles of the
abbey. The monuments are generally simple; for the lives of literary men