Great Possessions by David Grayson
page 138 of 143 (96%)
page 138 of 143 (96%)
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the first table. He may have the sweetest of the milk, there are
thousands, perhaps millions, of men and women in America who have never in their lives tasted really sweet milk and the freshest of eggs, and the ripest of fruit. One does not know how good strawberries or raspberries are when picked before breakfast and eaten with the dew still on them. And while he must work and sweat for what he gets, he may have all these things in almost unmeasured abundance, and without a thought of what they cost. A man from the country is often made uncomfortable, upon visiting the city, to find two cans of sweet corn served for twenty or thirty cents, or a dish of raspberries at twenty-five or forty--and neither, even at their best, equal in quality to those he may have fresh from the garden every day. One need say this in no boastful spirit, but as a simple statement of the fact: for fruits sent to the city are nearly always picked before they are fully ripe--and lose that last perfection of flavour which the sun and the open air impart: and both fruits and vegetables, as well as milk and eggs, suffer more than most people think from handling and shipment. These things can be set down as one of the make-weights against the familiar presentation of the farmer's life as a hard one. One of the greatest curses of mill or factory work and with much city work of all kinds, is its interminable monotony: the same process repeated hour after hour and day after day. In the country there is indeed monotonous work but rarely monotony. No task continues very long: everything changes infinitely with the seasons. Processes are not repetitive but creative. Nature hates monotony, is ever changing and restless, brings up a storm to drive the haymakers from their hurried work in the fields, sends rain to stop the ploughing, or a frost to hurry the apple harvest. Everything is full of adventure and vicissitude! A man who has been a farmer for two hours at the mowing |
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