in strophes, each one telling of some afflicted hero and ending with the
same refrain: _His sorrow passed away; so will mine_. "Deor" is much more
poetic than "Widsith," and is the one perfect lyric[16] of the Anglo-Saxon
period.

Weland for a woman knew too well exile.
Strong of soul that earl, sorrow sharp he bore;
To companionship he had care and weary longing,
Winter-freezing wretchedness. Woe he found again, again,
After that Nithhad in a need had laid him--
Staggering sinew-wounds--sorrow-smitten man!
_That he overwent; this also may I_.[17]

THE SEAFARER. The wonderful poem of "The Seafarer" seems to be in two
distinct parts. The first shows the hardships of ocean life; but stronger
than hardships is the subtle call of the sea. The second part is an
allegory, in which the troubles of the seaman are symbols of the troubles
of this life, and the call of the ocean is the call in the soul to be up
and away to its true home with God. Whether the last was added by some monk
who saw the allegorical possibilities of the first part, or whether some
sea-loving Christian scop wrote both, is uncertain. Following are a few
selected lines to show the spirit of the poem:

The hail flew in showers about me; and there I heard only
The roar of the sea, ice-cold waves, and the song of the swan;
For pastime the gannets' cry served me; the kittiwakes' chatter
For laughter of men; and for mead drink the call of the sea mews.
When storms on the rocky cliffs beat, then the terns, icy-feathered,
Made answer; full oft the sea eagle forebodingly screamed,
The eagle with pinions wave-wet....