Punch, or the London Charivari, Volume 153, September 5, 1917 by Various
page 39 of 58 (67%)
page 39 of 58 (67%)
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paper's hiding-place I found it a little difficult to be impressed by
the elaborate efforts, unconscionably long drawn out, of the departed spirit to disclose the matter to _Helen_ and _Hugh_; while the masterly inactivity of _Stephen_, who was trying to find his document by pure reason (mere looking for it would not occur to his Napoleonic brain), confirmed the opinion I had earlier formed of that solemn ass. However, his invisible foe does contrive to get his message through to the lovers and smash up _Stephen_ and his bubble of power. I can't help being surprised that Mr. H.B. IRVING should have been satisfied with so impossible a character as _Stephen Pryde_, though I need not add that he made most effective play with the terror of an evil conscience haunted by the vengeful dead, throwing away his consonants rather recklessly in the process and receiving the plaudits of an enthusiastic audience. I grant Mr. HACKETT freely his effects of eeriness and his sound judgment in manipulating his ghost without materialising him; and congratulate him particularly on the part of the vague American lady, most capably performed by Miss MARION LORNE. Miss FAY COMPTON made a pretty lover and plausible clairvoyante. Mr. SYDNEY VALENTINE'S portrait was (yes!) masterly; and Mr. TOM REYNOLDS is excellent as the confidential clerk. Mr. HOLMAN CLARK struck me (without surprise) as slightly bored with his part of a Doctor who lost his patient in the first Act and remained as a convenient peg for the plot. His adroit method ensures smooth playing and pulls a cast together. T. * * * * * |
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