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The Atlantic Monthly, Volume 02, No. 10, August, 1858 by Various
page 35 of 296 (11%)
These, only these, support the crowded stage,
From eldest Heywood down to Cibber's age."[25]


Sedley joined him in the composition of more than one comedy.
Macaulay, in seeking illustrations of the times and occurrences of
which he writes, cites Shadwell five times, where he mentions
Etherege, Wycherley, and Congreve once.[26] From his last play, "The
Stockjobbers," performed in November, 1692, while its author was on
his death-bed, the historian introduces an entire scene into his
text.[27] Any one, indeed, who can clear his mind from the unjust
prejudice produced by Dryden's satire, and read the comedies of
Shadwell with due consideration for the extemporaneous haste of their
composition, as satires upon passing facts and follies, will find,
that, so far from never deviating into sense, sound common-sense and
fluent wit were the Laureate's staple qualities. If his comedies have
not, like those of his contemporaries just named, enjoyed the
good-fortune to be collected and preserved among the dramatic
classics, the fact is primarily owing to the ephemeral interest of the
hits and allusions, and secondarily to "MacFlecknoe."

[To be continued.]


Footnote 1: SPENSER: _Faery Queen_. See also the _Two Cantos
of Mutability,_ Cant. VII.:--

"That old Dan Geffrey, in whose gentle spright
The pure well-head of poesie did dwell."

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