languages used in England. His first important work, the _Speculum
Meditantis_, was written in French; his second, the _Vox Clamantis_,
in Latin; his third, the _Confessio Amantis_, in English.

[Illustration: EARLY PORTRAIT OF GOWER HEARING THE CONFESSION OF A
LOVER (CONFESSIO AMANTIS). _From the Egerton MS., British Museum._]

The _Confessio Amantis_ (_Confession of a Lover_) is principally a
collection of one hundred and twelve short tales. An attempt to unify
them is seen in the design to have the confessor relate, at the
lover's request, those stories which reveal the causes tending to
hinder or to further love. Gower had ability in story-telling, as is
shown by the tales about Medea and the knight Florent; but he lacked
Chaucer's dramatic skill and humor. Gower's influence has waned
because, although he stood at the threshold of the Renaissance, his
gaze was chiefly turned backward toward medievalism. His contemporary,
Chaucer, as we see, was affected by the new spirit.

GEOFFREY CHAUCER, 1340?-1400.

[Illustration: GEOFFREY CHAUCER. _From an old drawing in Occleve's
Poems, British Museum._]

Life.--Chaucer was born in London about 1340. His father and
grandfather were vintners, who belonged to the upper class of
merchants. Our first knowledge of Geoffrey Chaucer is obtained from
the household accounts of the Princess Elizabeth, daughter-in-law of
Edward III., in whose family Chaucer was a page. An entry shows that
she bought him a fine suit of clothes, including a pair of red and
black breeches. Such evidence points to the fact that he was early