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Halleck's New English Literature by Reuben Post Halleck
page 28 of 775 (03%)
Although instinct with gloomy fatalism, this religion taught bravery.
None but the brave were invited to Valhalla to become Woden's guest.
The brave man might perish, but even then he won victory; for he was
invited to sit with heroes at the table of the gods. "None but the
brave deserves the fair," is merely a modern softened rendering of the
old spirit.

The Christian religion, which was brought to the Teuton after he had
come to England, found him already cast in a semi-heroic mold. But
before he could proceed on his matchless career of world conquest,
before he could produce a Shakespeare and plant his flag in the
sunshine of every land, it was necessary for this new faith to develop
in him the belief that a man of high ideals, working in unison with
the divinity that shapes his end, may rise superior to fate and be
given the strength to overcome the powers of evil and to mold the
world to his will. The intensity of this faith, swaying an energetic
race naturally fitted to respond to the great moral forces of the
universe, has enabled the Anglo-Saxon to produce the world's greatest
literature, to evolve the best government for developing human
capabilities, and to make the whole world feel the effect of his
ideals and force of character. At the close of the nineteenth century,
a French philosopher wrote a book entitled _Anglo-Saxon Superiority,
In What Does it Consist?_ His answer was, "In self-reliance and in the
happiness found in surmounting the material and moral difficulties of
life." A study of the literature in which the ideals of the race are
most artistically and effectively embodied will lead to much the same
conclusion.

The History of Anglo-Saxon England.--The first task of the
Anglo-Saxons after settling in England was to subdue the British, the
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