Halleck's New English Literature by Reuben Post Halleck
page 60 of 775 (07%)
page 60 of 775 (07%)
![]() | ![]() |
|
We look in Anglo-Saxon poetry in vain for a touch like this:-- "Sweetly a bird sang on a pear tree above the head of Gwenn before they covered him with a turf."[28] Celtic literature shows more exaggeration, more love of color, and a deeper appreciation of nature in her gentler aspects. The Celt could write:-- "More yellow was her head than the flower of the broom, and her skin was whiter than the foam of the wave, and fairer were her hands and fingers than the blossoms of the wood anemone amidst the spray of the meadow fountain."[29] King Arthur and his romantic Knights of the Round Table are Celtic heroes. Possibly the Celtic strain persisting in many of the Scotch people inspires lines like these in more modern times:-- "The corn-craik was chirming His sad eerie cry [30] And the wee stars were dreaming Their path through the sky." In order to produce a poet able to write both _A Midsummer Night's Dream_ and _Hamlet_, the Celtic imagination must blend with the Anglo-Saxon seriousness. As we shall see, this was accomplished by the Norman conquest. ANGLO-SAXON PROSE |
|