Stories from the Italian Poets: with Lives of the Writers, Volume 2 by Leigh Hunt
page 74 of 371 (19%)
page 74 of 371 (19%)
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but as soon as he betrayed symptoms of disgust, Niccolò, whose affairs
were in a bad way, drove him back to it with a vehemence which must have made bad worse.[3] At the expiration of five years he was allowed to give it up. There is reason to believe that Ariosto was "theatricalising" during no little portion of this time; for, in his nineteenth year, he is understood to have been taken by Duke Ercole to Pavia and to Milan, either as a writer or performer of comedies, probably both, since the courtiers and ducal family themselves occasionally appeared on the stage; and one of the poet's brothers mentions his having frequently seen him dressed in character.[4] On being delivered from the study of the law, the young poet appears to have led a cheerful and unrestrained life for the next four or five years. He wrote, or began to write, the comedy of the _Cassaria_; probably meditated some poem in the style of Boiardo, then in the height of his fame; and he cultivated the Latin language, and intended to learn Greek, but delayed, and unfortunately missed it in consequence of losing his tutor. Some of his happiest days were passed at a villa, still possessed by the Maleguzzi family, called La Mauriziana, two miles from Reggio. Twenty-five years afterwards he called to mind, with sighs, the pleasant spots there which used to invite him to write verses; the garden, the little river, the mill, the trees by the water-side, and all the other shady places in which he enjoyed himself during that sweet season of his life "betwixt April and May."[5] To complete his happiness, he had a friend and cousin, Pandolfo Ariosto, who loved every thing that he loved, and for whom he augured a brilliant reputation. |
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