the church are shelved and divided into pigeon holes, each containing a
skull! I saw no less than 600 or 700 of these skulls (by actual count).
The bones "are worked into the walls in a species of sepulchral mosaic."
These bones, it is said, had been in their graves about 400 years. The old
pictures of the apostles are painted upon slates, one of them bearing the
date 1224.

In the Golden Chamber are preserved the most sacred relics; here is a bone
which is claimed to have been in the right arm of St. Ursula, while a
gilded shrine contains the rest of her bones. Do these identifications not
prove conclusively that anatomy was better understood when these bones
were classified than it is even now? The name of the anatomist who
selected St. Ursula's bones from among 11,000 and identified them is not
given, but he certainly deserves much credit for it. Here are thorns from
the crown and a piece of the rod with which Christ was scorged, one of the
six jars of alabaster used at the marriage in Galilee, and a piece, about
as thick as a hair and an inch or two long, of the "true cross." So they
_say_. These things were brought hither from Syria by the crusaders in
1378.



The Museum.


The Museum in Cologne is one of the most interesting that I have yet seen.
Its curious old paintings carry one back to the wretched times of the
middle ages, when nothing but superstition and the night-mare of hell
could influence predatory man to humanity on civil order. A picture of the
Last Judgement is characteristic of the religious notions of those early