modesty and love, and reason and voluptuousness. Her teeth were like
pearls, her mouth mobile and her smile most captivating, resistless
and adorable. She was the personification of majesty without pride or
haughtiness, and possessed an open, tender and touching countenance
upon which shone friendship and affection. Her voice was soft and
silvery, her arms and hands superb models for a sculptor, and all her
movements and gestures manifested an exquisite, natural grace which
made her conspicuous in the most crowded drawing-room. As she was in
her youth, so she continued to be until her death at the age of ninety
years, an incredible fact but so well attested by the gravest and most
reliable writers, who testify to the truth of it, that there is no
room for doubt. Ninon attributed it not to any miracle, but to her
philosophy, and declared that any one might exhibit the same
peculiarities by following the same precepts. We have it on the most
undoubted testimony of contemporaneous writers, who were intimate with
him, that one of her dearest friends and followers, Saint-Evremond, at
the age of eighty-nine years, inspired one of the famous beauties of
the English Court with an ardent attachment.

The beauties of her person were so far developed at the age of twelve
years, that she was the object of the most immoderate admiration on
the part of men of the greatest renown, and her beauty is embalmed in
their works either as a model for the world, or she is enshrined in
song, poetry, and romance as the heroine.

In fact Ninon had as tutors the most distinguished men of the age, who
vied with one another in embellishing her young mind with all the
graces, learning and accomplishments possible for the human mind to
contain. Her native brightness and active mind absorbed everything
with an almost supernatural rapidity and tact, and it was not long