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The War and Democracy by Unknown
page 42 of 393 (10%)
Europe would have proved disastrous to the world. The Congress of Vienna
was followed by further congresses in 1818, 1819, 1820, and 1822; and each
succeeding conference revealed to Europe more clearly the true character
of the new authority into whose hands the power was slipping. Certain very
dangerous tendencies became, for example, apparent. The first conference
had assembled to confer the blessings of order upon a continent ravaged by
the revolutionary and Napoleonic wars of France. Hence the Confederation of
Europe started life as a kind of anti-Jacobin society, whose main business
it was to suppress revolution, whether it took the nationalistic or
democratic form. Furthermore, the interference with the internal affairs of
France in 1814 and 1815 tended to establish a precedent for interference
with the internal affairs of any country. The Holy Alliance, therefore,
soon assumed the character of a "Trust" of absolute monarchs, determined
to aid each other when threatened by risings or agitations among their
peoples, and to crush liberal aspirations wherever they were to be found in
other parts of Europe. The popular desire for peace was exploited in the
interests of unpopular government; settlement by conference in regard
to international matters was extended to settlement by a cabal of
irresponsible crowned heads in regard to internal constitutional and
national questions; a clique of despots threatened the liberties of the
world and proposed to back up their decisions by using their armies as
police. One government, however, even in that period of reaction, refused
to lend its countenance to such proceedings. England at first protested and
at length took up an attitude of complete opposition, and it is due to her
that the Confederation never became really effective. She had to choose
between peace and liberty, and she chose the latter.[1]

[Footnote 1: See Alison Phillips, _The Confederation of Europe_, together
with his chapter on "The Congresses, 1815-1822" in vol. x. of the
_Cambridge Modern History_. The whole subject of the Concert of Europe,
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