of pantomimic admissions, caused great amusement. A neat phrase went the
round of the house: "The cuckolds' chorus, the cuckolds' chorus," and
it "caught on," for there was an encore. The singers' heads were droll;
their faces were discovered to be in keeping with the phrase, especially
that of a fat man which was as round as the moon. Meanwhile Vulcan
arrived in a towering rage, demanding back his wife who had slipped away
three days ago. The chorus resumed their plaint, calling on Vulcan, the
god of the cuckolds. Vulcan's part was played by Fontan, a comic actor
of talent, at once vulgar and original, and he had a role of the wildest
whimsicality and was got up as a village blacksmith, fiery red wig,
bare arms tattooed with arrow-pierced hearts and all the rest of it. A
woman's voice cried in a very high key, "Oh, isn't he ugly?" and all the
ladies laughed and applauded.

Then followed a scene which seemed interminable. Jupiter in the course
of it seemed never to be going to finish assembling the Council of Gods
in order to submit thereto the deceived husband's requests. And still no
Nana! Was the management keeping Nana for the fall of the curtain then?
So long a period of expectancy had ended by annoying the public. Their
murmurings began again.

"It's going badly," said Mignon radiantly to Steiner. "She'll get a
pretty reception; you'll see!"

At that very moment the clouds at the back of the stage were cloven
apart and Venus appeared. Exceedingly tall, exceedingly strong, for her
eighteen years, Nana, in her goddess's white tunic and with her light
hair simply flowing unfastened over her shoulders, came down to the
footlights with a quiet certainty of movement and a laugh of greeting
for the public and struck up her grand ditty: