impropriety in murdering him; only that his murder will fall into the class
of assassinations, which I have not yet treated.

_Thirdly_. The subject chosen ought to be in good health: for it is
absolutely barbarous to murder a sick person, who is usually quite unable
to bear it. On this principle, no cockney ought to be chosen who is above
twenty-five, for after that age he is sure to be dyspeptic. Or at least, if
a man will hunt in that warren, he ought to murder a couple at one time; if
the cockneys chosen should be tailors, he will of course think it his duty,
on the old established equation, to murder eighteen. And, here, in this
attention to the comfort of sick people, you will observe the usual effect
of a fine art to soften and refine the feelings. The world in general,
gentlemen, are very bloody-minded; and all they want in a murder is a
copious effusion of blood; gaudy display in this point is enough for
_them_. But the enlightened connoisseur is more refined in his taste;
and from our art, as from all the other liberal arts when thoroughly
cultivated, the result is--to improve and to humanize the heart; so true is
it, that--

----"Ingenuas didicisse fideliter artes,
Emollit mores, nec sinit esse feros."

A philosophic friend, well known for his philanthropy and general
benignity, suggests that the subject chosen ought also to have a family of
young children wholly dependent on his exertions, by way of deepening the
pathos. And, undoubtedly, this is a judicious caution. Yet I would not
insist too keenly on this condition. Severe good taste unquestionably
demands it; but still, where the man was otherwise unobjectionable in point
of morals and health, I would not look with too curious a jealousy to a
restriction which might have the effect of narrowing the artist's sphere.