--probably from simple delirium, I might hunt M. Michelet into _delirium
tremens_. Two strong angels stand by the side of History, whether French
History or English, as heraldic supporters: the angel of Research on the
left hand, that must read millions of dusty parchments, and of pages
blotted with lies; the angel of Meditation on the right hand, that must
cleanse these lying records with fire, even as of old the draperies of
_asbestos_ were cleansed, and must quicken them into regenerated life.
Willingly I acknowledge that no man will ever avoid innumerable errors of
detail: with so vast a compass of ground to traverse, this is impossible:
but such errors (though I have a bushel on hand, at M. Michelet's service)
are not the game I chase: it is the bitter and unfair spirit in which
M. Michelet writes against England. Even _that_, after all, is but my
secondary object: the real one is Joanna, the Pucelle d'Orleans for
herself.

I am not going to write the History of _La Pucelle_: to do this, or even
circumstantially to report the history of her persecution and bitter death,
of her struggle with false witnesses and with ensnaring judges, it would
be necessary to have before us _all_ the documents, and, therefore, the
collection only now forthcoming in Paris. But _my_ purpose is narrower.
There have been great thinkers, disdaining the careless judgments of
contemporaries, who have thrown themselves boldly on the judgment of a far
posterity, that should have had time to review, to ponder, to compare.
There have been great actors on the stage of tragic humanity that might,
with the same depth of confidence, have appealed from the levity of
compatriot friends--too heartless for the sublime interest of their story,
and too impatient for the labor of sifting its perplexities--to the
magnanimity and justice of enemies. To this class belongs the Maid of Arc.
The Romans were too faithful to the ideal of grandeur in themselves not