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The Essays of Arthur Schopenhauer; the Art of Controversy by Arthur Schopenhauer
page 18 of 106 (16%)
I.

The _Extension_.--This consists in carrying your opponent's
proposition beyond its natural limits; in giving it as general a
signification and as wide a sense as possible, so as to exaggerate it;
and, on the other hand, in giving your own proposition as restricted
a sense and as narrow limits as you can, because the more general a
statement becomes, the more numerous are the objections to which it is
open. The defence consists in an accurate statement of the point or
essential question at issue.

Example 1.--I asserted that the English were supreme in drama. My
opponent attempted _to_ give an instance to the contrary, and replied
that it was a well-known fact that in music, and consequently in
opera, they could do nothing at all. I repelled the attack by
reminding him that music was not included in dramatic art, which
covered tragedy and comedy alone. This he knew very well. What he had
done was to try to generalise my proposition, so that it would apply
to all theatrical representations, and, consequently, to opera and
then to music, in order to make certain of defeating me. Contrarily,
we may save our proposition by reducing it within narrower limits
than we had first intended, if our way of expressing it favours this
expedient.

Example 2.--A. declares that the Peace of 1814 gave back their
independence to all the German towns of the Hanseatic League. B. gives
an instance to the contrary by reciting the fact that Dantzig, which
received its independence from Buonaparte, lost it by that Peace. A.
saves himself thus: "I said 'all German towns,' and Dantzig was in
Poland."
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