_non falsi errori_ which are the revelations of true imaginative power.




XIV.


THE TOO READY WRITER

One who talks too much, hindering the rest of the company from taking
their turn, and apparently seeing no reason why they should not rather
desire to know his opinion or experience in relation to all subjects, or
at least to renounce the discussion of any topic where he can make no
figure, has never been praised for this industrious monopoly of work
which others would willingly have shared in. However various and
brilliant his talk may be, we suspect him of impoverishing us by
excluding the contributions of other minds, which attract our curiosity
the more because he has shut them up in silence. Besides, we get tired
of a "manner" in conversation as in painting, when one theme after
another is treated with the same lines and touches. I begin with a
liking for an estimable master, but by the time he has stretched his
interpretation of the world unbrokenly along a palatial gallery, I have
had what the cautious Scotch mind would call "enough" of him. There is
monotony and narrowness already to spare in my own identity; what comes
to me from without should be larger and more impartial than the judgment
of any single interpreter. On this ground even a modest person, without
power or will to shine in the conversation, may easily find the
predominating talker a nuisance, while those who are full of matter on
special topics are continually detecting miserably thin places in the