acceptance solely by virtue of the French language, and one may fairly
desire that what seems a just discrimination should profit by the
fashionable prejudice in favour of La Bruyère's idiom. But I wish he had
added that the habit of dragging the ludicrous into topics where the
chief interest is of a different or even opposite kind is a sign not of
endowment, but of deficiency. The art of spoiling is within reach of the
dullest faculty: the coarsest clown with a hammer in his hand might
chip the nose off every statue and bust in the Vatican, and stand
grinning at the effect of his work. Because wit is an exquisite product
of high powers, we are not therefore forced to admit the sadly confused
inference of the monotonous jester that he is establishing his
superiority over every less facetious person, and over every topic on
which he is ignorant or insensible, by being uneasy until he has
distorted it in the small cracked mirror which he carries about with him
as a joking apparatus. Some high authority is needed to give many worthy
and timid persons the freedom of muscular repose under the growing
demand on them to laugh when they have no other reason than the peril of
being taken for dullards; still more to inspire them with the courage to
say that they object to the theatrical spoiling for themselves and their
children of all affecting themes, all the grander deeds and aims of men,
by burlesque associations adapted to the taste of rich fishmongers in
the stalls and their assistants in the gallery. The English people in
the present generation are falsely reputed to know Shakspere (as, by
some innocent persons, the Florentine mule-drivers are believed to have
known the _Divina Commedia_, not, perhaps, excluding all the subtle
discourses in the _Purgatorio_ and _Paradiso_); but there seems a clear
prospect that in the coming generation he will be known to them through
burlesques, and that his plays will find a new life as pantomimes. A
bottle-nosed Lear will come on with a monstrous corpulence from which he
will frantically dance himself free during the midnight storm; Rosalind