Medici poet but the first of the family to marry not for love but
for policy, and that too was a sign of decadence.

Lorenzo came into power when only twenty, and at the age of forty-two
he was dead, but in the interval, by his interest in every kind of
intellectual and artistic activity, by his passion for the greatness
and glory of Florence, he made for himself a name that must always
connote liberality, splendour, and enlightenment. But it is beyond
question that under Lorenzo the Florentines changed deeply and for
the worse. The old thrift and simplicity gave way to extravagance and
ostentation; the old faith gave way too, but that was not wholly the
effect of Lorenzo's natural inclination towards Platonic philosophy,
fostered by his tutor Marsilio Ficino and his friends Poliziano and
Pico della Mirandola, but was due in no small measure also to the
hostility of Pope Sixtus, which culminated in the Pazzi Conspiracy of
1478 and the murder of Giuliano. Looking at the history of Florence
from our present vantage-point we can see that although under
Lorenzo the Magnificent she was the centre of the world's culture
and distinction, there was behind this dazzling front no seriousness
of purpose. She was in short enjoying the fruits of her labours as
though the time of rest had come; and this when strenuousness was more
than ever important. Lorenzo carried on every good work of his father
and grandfather (he spent £65,000 a year in books alone) and was as
jealous of Florentine interests; but he was also "The Magnificent,"
and in that lay the peril. Florence could do with wealth and power,
but magnificence went to her head.

Lorenzo died in 1492, leaving three sons, of whom the eldest, Piero
(1471-1503), succeeded him. Never was such a decadence. In a moment
the Medici prestige, which had been steadily growing under Cosimo,