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The Mirror of Kong Ho by Ernest Bramah
page 26 of 182 (14%)
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At the house of the Maidens Blank, when the evening was not spent in
listening to melodious voices and the harmony of stringed woods, it
was usual to take part in sit-round games of various kinds. (And while
it is on his brush this person would say with commendable pride that a
well-trained musician among us can extort more sound from a hollow
wooden pig, costing only a few cash, than the most skilful here ever
attain on their largest instrument--a highly-lacquered coffin on legs,
filled with bells and hidden springs, and frequently sold for a
thousand taels.)

Upon a certain evening, at the conclusion of one sit-round game which
involved abrupt music, a barrier of chairs, and the exhilarating
possibility of being sat upon by the young and vivacious in their
zeal, a person of the company turned suddenly to the one who is
communicating with you and said enticingly, "Why did Birdcage Walk?"

Not judging from his expression that this was other than a polite
inquiry on a matter which disturbed his repose, I was replying that
the manifestation was undoubtedly the work of a vexatious demon which
had taken up its abode in the article referred to, when another, by my
side, cried aloud, "Because it envied Queen Anne's Gate"; and without
a pause cast back the question, "Who carved The Poultry?"

In spite of the apparent simplicity of the demand it was received by
all in an attitude of complicated doubt, and this person was
considering whether he might not acquire distinction by replying that
such an office fell by custom to the lot of the more austere Maiden
Blank, when the very inadequate reply, "Mark Lane with St. Mary's
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