matter, intermixture of agreeable tales and illustrations, and, perhaps,
above all, the singularities of his feelings, clothed in an uncommon
quaintness of style, have contributed to render it, even to modern readers,
a valuable repository of amusement and information."--_Warton's Milton_, 2d
edit. p. 94.

"THE ANATOMY OF MELANCHOLY is a book which has been universally read and
admired. This work is, for the most part, what the author himself styles
it, 'a cento;' but it is a very ingenious one. His quotations, which abound
in every page, are pertinent; but if he had made more use of his invention
and less of his commonplace-book, his work would perhaps have been more
valuable than it is. He is generally free from the affected language and
ridiculous metaphors which disgrace most of the books of his
time."--_Granger's Biographical History_.

"BURTON'S ANATOMY OF MELANCHOLY, a book once the favourite of the learned
and the witty, and a source of surreptitious learning, though written on a
regular plan, consists chiefly of quotations: the author has honestly
termed it a cento. He collects, under every division, the opinions of a
multitude of writers, without regard to chronological order, and has too
often the modesty to decline the interposition of his own sentiments.
Indeed the bulk of his materials generally overwhelms him. In the course of
his folio he has contrived to treat a great variety of topics, that seem
very loosely connected with the general subject; and, like Bayle, when he
starts a favourite train of quotations, he does not scruple to let the
digression outrun the principal question. Thus, from the doctrines of
religion to military discipline, from inland navigation to the morality of
dancing-schools, every thing is discussed and determined."--_Ferriar's
Illustrations of Sterne_, p. 58.