custom to put the occupation of the buried personage (as "Skinner,"
"Shoemaker," "Flesher") on his tombstone. As another peculiarity,
wives are buried under their maiden names, instead of their husbands;
thus giving a disagreeable impression that the married pair have
bidden each other an eternal farewell on the edge of the grave.

There was a footpath through this crowded churchyard, sufficiently
well-worn to guide us to the grave of Burns; but a woman followed
behind us, who, it appeared, kept the key of the mausoleum, and was
privileged to show it to strangers. The monument is a sort of Grecian
temple, with pilasters and a dome, covering a space of about twenty
feet square. It was formerly open to all the inclemencies of the
Scotch atmosphere, but is now protected and shut in by large squares
of rough glass, each pane being of the size of one whole side of the
structure. The woman unlocked the door, and admitted us into the
interior. Inlaid into the floor of the mausoleum is the gravestone of
Burns,--the very same that was laid over his grave by Jean Armour,
before this monument was built. Stuck against the surrounding wall is
a marble statue of Burns at the plough, with the Genius of Caledonia
summoning the ploughman to turn poet. Methought it was not a very
successful piece of work; for the plough was better sculptured than
the man, and the man, though heavy and cloddish, was more effective
than the goddess. Our guide informed us that an old man of ninety, who
knew Burns, certifies, this statue to be very like the original.

The bones of the poet, and of Jean Armour, and of some of their
children, lie in the vault over which we stood. Our guide (who was
intelligent, in her own plain way, and very agreeable to talk withal)
said that the vault was opened about three weeks ago, on occasion of
the burial of the eldest son of Burns. The poet's bones were