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My Native Land - The United States: its Wonders, its Beauties, and its People; - with Descriptive Notes, Character Sketches, Folk Lore, Traditions, - Legends and History, for the Amusement of the Old and the - Instruction of the Young by James Cox
page 287 of 334 (85%)
little scarlet, and, as a rule, the sandstone is covered with the
mysterious substance brought out of the bowels of the earth by the now
silent, but once magnificently awful, mountains.

The exploring party to which we have referred, went through 600 miles of
cañons, and found that no two miles were really alike. Finally, after
three months of hardship, they emerged into an open country, and became
almost frantic with joy. Never did country seem so beautiful, or verdure
so attractive, and the panorama of beauty which was presented to their
view caused them to shout with delight, and to offer up cries of
thankfulness for their ultimate deliverance from a series of hardships
and dangers which at one time seemed almost insurmountable.

The region also abounds with archaeological curiosities and remarkable
hieroglyphics. Many of these are found in close proximity to the Grand
Cañon of the Colorado, and on the cliffs in which the far-famed cliff
dwellers of old took up their abode. Hieroglyphics, marked upon rocks or
other lasting substances, have been used by nearly all ancient races to
perpetuate the history of certain events among them. Especially true is
this of the ancient people who lived in Arizona. The remarkable picture
rocks and boulders, with strange symbols upon them, left by the
prehistoric races of Arizona, have been the cause of much discussion
among those who have seen them, as to who these ancient hieroglyphic
makers were. These rock records may be divided into three different
kinds, which it is thought were made by two different races. The first,
or very ancient race, left records on rocks, in some instances of
symbols only, and in other instances of pictures and symbols combined.
The later race, which came after the first race had vanished, made only
crude representations of animals, birds or reptiles, not using symbols
or combinations of lines.
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