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A Visit to the Monastery of La Trappe in 1817 - With Notes Taken During a Tour Through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the Environs of Paris. - Illustrated with Numerous Coloured Engravings, from Drawings by W.D. Fellowes
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enchantment to this most romantic scene.

Héloïse! à ce nom, qui ne doit s'attendrir?
Comme elle sut aimer! comme elle sut souffrir!

At the entrance of the grotto are engraved these lines, nearly effaced
by the hand of time.

Héloïse peut-être erra sur ce rivage,
Quand, aux yeux des jaloux dérobant son séjour,
Dans les murs du Palet elle vint mettre au jour
Un fils, cher et malheureux gage
De ses plaisirs furtifs et de son tendre amour.
Peut-être en ce réduit sauvage,
Seule, plus d'une fois, elle vint soupirer,
Et goûter librement la douceur de pleurer;
Peut-être sur ce roc assise
Elle rêvait à son malheur.
J'y veux rêver aussi; j'y veux remplir mon coeur
Du doux souvenir d'Héloïse.

I had but a few weeks before seen the tomb of Abélard and Héloïse in
the Cemetery of Père la Chaise at Paris, whither it had been recently
removed from the Convent of the Augustins, at which latter place I
had formerly made the annexed drawing of it. I had likewise been very
lately at Argenteuil, once the place of her asylum described by Pope:

In these deep solitudes and awful cells--

and had the same day witnessed the ruins of the house in which Abélard
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