Play-Making - A Manual of Craftsmanship by William Archer
page 56 of 319 (17%)
page 56 of 319 (17%)
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pamphlets. This is a practice which goes far to justify the belief of
some foreign critics that the English, or, since Mr. Shaw is in question, let us say the inhabitants of the British Islands, are congenitally incapable of producing a work of pure art. Our novelists--Fielding, Thackeray, George Eliot--have been sufficiently, though perhaps not unjustly, called over the coals for their habit of coming in front of their canvas, and either gossiping with the reader or preaching at him. But, if it be a sound maxim that the novelist should not obtrude his personality on his reader, how much more is this true of the dramatist! When the dramatist steps to the footlights and begins to lecture, all illusion is gone. It may be said that, as a matter of fact, this does not occur: that on the stage we hear no more of the disquisitions of Mr. Shaw and his imitators than we do of the curt, and often non-existent, stage-directions of Shakespeare and his contemporaries. To this the reply is twofold. First, the very fact that these disquisitions are written proves that the play is designed to be printed and read, and that we are, therefore, justified in applying to it the standard of what may be called literary illusion. Second, when a playwright gets into the habit of talking around his characters, he inevitably, even if unconsciously, slackens his endeavour to make them express themselves as completely as may be in their own proper medium of dramatic action and dialogue. You cannot with impunity mix up two distinct forms of art--the drama and the sociological essay or lecture. To Mr. Shaw, of course, much may, and must, be forgiven. His stage-directions are so brilliant that some one, some day, will assuredly have them spoken by a lecturer in the orchestra while the action stands still on the stage. Thus, he will have begotten a bastard, but highly entertaining, form of art. My protest has no practical application to him, for he is a standing exception to all rules. It is to the younger generation that I appeal not to be misled by his |
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