The Dolorous Passion of Our Lord Jesus Christ by Anna Catherine Emmerich
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there could be no reason why it should not be valued for its own sake,
independent of the somewhat singular source whence it emanated. Still, the translator has by no means disguised to himself that this work is written, in the first place, for Christians; that is to say, for men who have the right to be very diffident in giving credence to particulars concerning facts which are articles of faith; and although he is aware that St. Bonaventure and many others, in their paraphrases of the Gospel history, have mixed up traditional details with those given in the sacred text, even these examples have not wholly reassured him. St. Bonaventure professed only to give a paraphrase, whereas these revelations appear to be something more. It is certain that the holy maiden herself gave them no higher title than that of dreams, and that the transcriber of her narratives treats as blasphemous the idea of regarding them in any degree as equivalent to a fifth Gospel; still it is evident that the confessors who exhorted Sister Emmerich to relate what she saw, the celebrated poet who passed four years near her couch, eagerly transcribing all he heard her say, and the German Bishops, who encouraged the publication of his book, considered it as something more than a paraphrase. Some explanations are needful on this head. The writings of many Saints introduce us into a new, and, if I may be allowed the expression, a miraculous world. In all ages there have been revelations about the past, the present, the future, and even concerning things absolutely inaccessible to the human intellect. In the present day men are inclined to regard these revelations as simple hallucinations, or as caused by a sickly condition of body. The Church, according to the testimony of her most approved writers, recognises three descriptions of ecstasy; of which the first is simply |
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