copyright should depend upon the success of this edition. When I told
this to Lord Byron he was highly pleased, but still doubted the
copyright being worth my acceptance, promising, however, if the poem
went through the edition, to give me other poems to annex to 'Childe
Harold.'"

Mr. Murray had long desired to make Lord Byron's acquaintance, and now
that Mr. Dallas had arranged with him for the publication of the first
two cantos of "Childe Harold," he had many opportunities of seeing Byron
at his place of business. The first time that he saw him was when he
called one day with Mr. Hobhouse in Fleet Street. He afterwards looked
in from time to time, while the sheets were passing through the press,
fresh from the fencing rooms of Angelo and Jackson, and used to amuse
himself by renewing his practice of "Carte et Tierce," with his
walking-cane directed against the book-shelves, while Murray was reading
passages from the poem, with occasional ejaculations of admiration; on
which Byron would say, "You think that a good idea, do you, Murray?"
Then he would fence and lunge with his walking-stick at some special
book which he had picked out on the shelves before him. As Murray
afterwards said, "I was often very glad to get rid of him!"

A correspondence took place with regard to certain omissions,
alterations, and improvements which were strongly urged both by Mr.
Dallas and the publisher. Mr. Murray wrote as follows:

_John Murray to Lord Byron_.

_September_ 4, 1811.

MY LORD,