MY LORD,

I have been unwilling to write until I had something to say, an occasion
to which I do not always restrict myself. I am most happy to tell you
that your last poem _is_--what Mr. Southey's is _called_--_a Carmen
Triumphale_. Never, in my recollection, has any work, since the "Letter
of Burke to the Duke of Bedford," excited such a ferment--a ferment
which, I am happy to say, will subside into lasting fame. I sold, on the
day of publication--a thing perfectly unprecedented--10,000 copies....
Gifford did what I never knew him do before--he repeated several
passages from memory."

The "Ode to Napoleon Bonaparte," which appeared in April 1814, was on
the whole a failure. It was known to be Lord Byron's, and its
publication was seized upon by the press as the occasion for many bitter
criticisms, mingled with personalities against the writer's genius and
character. He was cut to the quick by these notices, and came to the
determination to buy back the whole of the copyrights of his works, and
suppress every line he had ever written. On April 29, 1814, he wrote to
Mr. Murray:

_Lord Byron to John Murray_.

_April_ 29, 1814.

I enclose a draft for the money; when paid, send the copyrights. I
release you from the thousand pounds agreed on for "The Giaour" and
"Bride," and there's an end.... For all this, it might be well to assign
some reason. I have none to give, except my own caprice, and I do not