Dio's Rome, Volume 5, Books 61-76 (A.D. 54-211) - An Historical Narrative Originally Composed in Greek During - The Reigns of Septimius Severus, Geta and Caracalla, Macrinus, - Elagabalus and Alexander Severus: and Now Presented in English - Form By Herbe by Cassius Dio
page 53 of 310 (17%)
page 53 of 310 (17%)
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bulletined his own name? What victory less deserves the name than that by
which one receives the olive, the laurel, the parsley, or the fir-tree garland, and loses the political crown? And why should one bewail these acts of his alone, seeing that he also by treading on the high-soled buskins lowered himself from his eminence of power, and by hiding behind the mask lost the dignity of his sovereignty to beg in the guise of a runaway slave, to be led like a blind man, to conceive, to bear children, to go mad [to drive a chariot], as he acted out time after time the story of Oedipus, and of Thyestes, of Heracles and Alemeon, and of Orestes? The masks he wore were sometimes made to resemble the characters and sometimes had his own likeness. The women's masks were all fashioned to conform to the features of Sabina [in order that though dead she might still move in stately procession. All the situations that common actors simulate in their acting he, too, would undertake to present, by speech, by action, by being acted upon,--save only that] golden chains were used to bind him: apparently it was not thought proper for a Roman emperor to be bound in iron shackles. [Sidenote:--10--] All this behavior, nevertheless, the soldiers and all the rest saw, endured, and approved. They entitled him Pythian Victor, Olympian Victor, National Victor, Absolute Victor, besides all the usual expressions, and of course added to these names the honorific designations belonging to his imperial office, so that every one of them had "Caesar" and "Augustus" as a tag. He conceived a dislike for a certain man because while he was speaking the man frowned and was not overlavish of his praises; and so he drove him away and would not let him come into his presence. He persisted in his refusal to grant him audience, and when the person asked: "Where shall I go, then?" Phoebus, Nero's freedman, replied: "To the deuce!" |
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