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American Scenes, and Christian Slavery - A Recent Tour of Four Thousand Miles in the United States by Ebenezer Davies
page 33 of 282 (11%)
its external aspect, the exhibition was not altogether unlike what I
have sometimes seen in England, when some wandering Italian has ranged
against a wall his bronzed figures of distinguished men,--Shakspeare,
Napoleon, Wellington, Nelson, &c. It was between twelve and one in the
day; but there was no crowd, not even a single boy or girl looking
on,--so common and every-day was the character of the scene. As we
moved along in front of this sable row, one of the white attendants
(though my wife had hold of my arm) said to me, with all the
_nonchalance_ of a Smithfield cattle-drover, "Looking out for a few
niggers this morning?" Never did I feel my manhood so insulted. My
indignation burned for expression. But I endeavoured to affect
indifference, and answered in a don't-care sort of tone, "No, I am not
particularly in want of any to-da--." I could scarcely finish the
sentence. Emotion choked my utterance. I passed on, gazing at the troop
of degraded human beings, till my eyes became so filled with tears that
I was compelled to turn my face another way. Though I anticipated such
scenes, and had tried to prepare my mind for them, yet (now that they
were actually before me) I was completely overcome, and was obliged to
seek a place to sit down while I composed my feelings. With what
sentiments my companion beheld the scene, I will leave you to
conjecture!

It was Saturday morning; and with my professional habits, I naturally
thought of the many divines in that very city, who were at that moment
shut up in their studies, preparing their discourses for the morrow. I
wished I had them all before me. I could have given every one of them a
text to preach upon. I would have said, "Gentlemen, see there! and
blush for your fellow-citizens. See there! and never again talk of
American liberty. See there! and lift up your voices like so many
trumpets against this enormity. See there! and in the face of
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