American Scenes, and Christian Slavery - A Recent Tour of Four Thousand Miles in the United States by Ebenezer Davies
page 61 of 282 (21%)
page 61 of 282 (21%)
![]() | ![]() |
|
distances were a dozen elevated desks for the chief actors, each with a
small platform in front for the exhibition of the articles of sale. It was a quarter to twelve, by the clock that faced the entrance door, when I got in. Anxious to know what kind of questions were put to the slaves, I pushed myself into the knots of intending purchasers, just as if I had been one of them. The inquiries, I found, related to place of birth, subsequent removals, competency for work, and so forth. The answers presented a fearful view of the extent to which the internal slave-trade is carried on. Most of the slaves said they had been "raised" in Virginia and Kentucky. To avoid the suspicion of being a spy, I resolved to put a few questions too. I found myself at the establishment where those named in the advertisement which had drawn me thither were to be disposed of. A pile of handbills--each containing an exact copy of the advertisement, and a French translation--was lying on the platform. Taking one up, I observed the name of "Squires, a carpenter." Assuming all the confidence I could muster, I said, "Which is Squires?" "I'm here, sir." "You are a carpenter, are you not?" "Yes, sir," (with a very polite bow). "And what can you do?" "I can trim a house, sir, from top to bottom." "Can you make a panelled door?" "Yes, Sir." "Sash windows?" "Yes, sir." "A staircase?" "Yes, sir." I gave a wise and dignified nod, and passed on to another groupe. In my progress, I found by one of the platforms a middle-aged black woman, and a mulatto girl of perhaps eighteen crouching by her side. "Are you related to each other?" I said. "No, sir." "Have you lived long in the city?" I said to the younger. "About two years, sir; but I was 'raised' in South Carolina." "And why does your owner sell you?" "Because I cannot cut--she wants a cutter--I can only sew." I then returned to the groupe at platform No. 1. |
|