ever saw.

We got the home mail the night we arrived here, but couldn't see to
read it till the next morning. So you are back in London--sloppy,
muggy, February London! How you will miss the cold clear North and
all the ice-fun; but you will be so busy finishing the book that
surroundings won't matter much. It seemed quite home-like to see the
familiar address on the note-paper.

To-day I am going to devote entirely to writing. Surely my book will
make some progress now. How many words should there be in a book? I've
got 18,000 now; "ragged incompetent words" they are, too. I wonder
what makes a writer of books! Would knowing all the words in the
dictionary help me? My statements are so bald, somehow. It doesn't
seem an interesting tale to me, so I'm afraid I can't expect an
unprejudiced reader to find it thrilling. The Mutiny is perhaps too
large a subject for me--though, mind you, there is one bit that sounds
rather well. I have taken great pains with it, and, as Viola said of
her declaration, "'tis poetical!" The worst of it is, when I write
poetically I am never quite sure that I am writing sense. I dare say
I would be wise to take the Moorwife's advice. You remember in _The
Will-o'-the Wisps are in Town_, when the man had listened to the
Moorwife's tale he said, "I might write a book about that, a novel in
twelve volumes, or better, a popular play."

"Or better still," said the Moorwife, "you might let it alone,"

"Ah," said the man, "that would be pleasanter and easier."

How true!