ages over a great section of the world. Belief is great, life-giving. The
history of a Nation becomes fruitful, soul-elevating, great, so soon as it
believes. These Arabs, the man Mahomet, and that one century,--is it not
as if a spark had fallen, one spark, on a world of what seemed black
unnoticeable sand; but lo, the sand proves explosive powder, blazes
heaven-high from Delhi to Grenada! I said, the Great Man was always as
lightning out of Heaven; the rest of men waited for him like fuel, and then
they too would flame.


[May 12, 1840.]
LECTURE III.
THE HERO AS POET. DANTE: SHAKSPEARE.

The Hero as Divinity, the Hero as Prophet, are productions of old ages; not
to be repeated in the new. They presuppose a certain rudeness of
conception, which the progress of mere scientific knowledge puts an end to.
There needs to be, as it were, a world vacant, or almost vacant of
scientific forms, if men in their loving wonder are to fancy their
fellow-man either a god or one speaking with the voice of a god. Divinity
and Prophet are past. We are now to see our Hero in the less ambitious,
but also less questionable, character of Poet; a character which does not
pass. The Poet is a heroic figure belonging to all ages; whom all ages
possess, when once he is produced, whom the newest age as the oldest may
produce;--and will produce, always when Nature pleases. Let Nature send a
Hero-soul; in no age is it other than possible that he may be shaped into a
Poet.

Hero, Prophet, Poet,--many different names, in different times, and places,
do we give to Great Men; according to varieties we note in them, according