Henry agreed to make a joint attack upon him. Mike should write a brief
note asking for an interview, and Henry should follow it up with another
letter to the same effect, and at the same time send him a copy of "The
Book of Angelica."

The plan was carried out. Both letters and the book were sent, and the
young men awaited with impatience the result. Henry had adopted a very
lofty tone. "In granting my friend an interview," he had said, "you may
be giving his first chance to an actor of genius. Of course you may not;
but at least you will have had the satisfaction of giving to possible
genius that benefit of the doubt which we have a right to expect from
the creator of ----," and he named one of the actor's most famous rôles.

A cordial answer came by return, enclosing two stalls for the following
evening, when, said the great actor, he would be glad to see Mr. Laflin
during or after the performance. The two young men were in their places
as the curtain rose, and it goes without saying that their enthusiasm
was unequalled in the audience. Between the third and fourth acts there
was a considerable interval, and early in the performance it had been
notified to Mike that the great actor would see him then. So when the
time came, with a whispered "good luck" from Henry, he left his place
and was led through a little mysterious iron door at the back of the
boxes, on to the stage and into the great man's dressing-room. Opening
suddenly out of the darkness at one side of the stage, it was more like
a brilliantly lighted cave hung with mirrors than a room. Mirrors and
lights and laurel wreaths with cards attached, and many photographs with
huge signatures scrawled across them, and a magnificent being reading a
book, while his dresser laced up some high boots he was to wear in the
following act,--made Mike's first impression. Then the magnificent being
looked up with a charming smile.