be her natural Myrtilla. There she was expected to be Williamson to the
bone. Henry and Esther, however, were only too grateful for Myrtilla,
through whom was to come to them the revelation of some minor graces of
life for which they had the instincts, but on which they had lacked
instruction; and who, still more important, at least for Henry, was to
be their first fragile link with certain strenuous new northern writers,
translations of whom in every tongue had just then descended, Gothlike,
upon Europe, to the great energising of its various literatures. She it
was too who first handed them the fretted golden key to the enchanted
garden of the Pre-Raphaelites, and the striking head of the young Dante
in sepia, which had hung in a sort of shrine-recess in Henry's study,
had been copied for him from Rossetti's sketch by Myrtilla's own hand.

She had, too, one of the most precious gifts for friendship, the gift of
unselfish and diligent and progressive appreciation of all a friend's
good points. She never flattered; but she never missed the smallest
opportunity for praise. She was one of those rare people who make you
feel happy in yourself, who send you away somehow dignified, profitably
raised in your own esteem; just as others have a mysterious power of
dejecting you in your proudest moments. If you had any charm, however
shy, Myrtilla Williamson would find it, and send you away with a great
gush of gratitude to her because it had been found at last. This was
perhaps the greatest charm of her clever letters; they were all about
"you,"--not, of course, that you didn't want to hear about her. But
frequently all she told you of herself was her name. Perhaps she would
write in the half-hour that remained between, say, a visit from Esther
and the arrival of Williamson, to fix in a few intimate vivid words the
charm of their afternoon together, and tell Esther in some new
gratifying way what she was to her and why and how she was it; or when
Henry had been there--even more carefully in the absence of