there was nothing further to be said on that subject, and that the news
of Myrtilla's life could hardly again take any more excitingly personal
form than the bric-a-brac excitements of art or literature,--though
indeed art and literature were, to be just to them, far more than
bric-a-brac in the life of Myrtilla Williamson. They were, indeed, it
was easy to see, a very sustaining religion for the lonely little woman
who, having no children to study, and having completed her studies of
Williamson, was driven a good deal upon the study and development of
herself. The Williamson half of the day provided her fully with
opportunities for the practice of all the philosophy she was likely to
acquire from writers ancient and modern, and for the absorption of all
the consolation history and biography was likely to afford in the
stories of women similarly circumstanced. It is to be feared that
Myrtilla not only wore tea-gowns in advance of her time, but was also
somewhat prematurely something of a "new" woman; but this was a subject
on which she really did very little to "poison" Esther's "young mind."
Esther's young mind, in common with those of her two subsequent sisters,
was little in need of "poisoning" from outside on such subjects. Indeed,
it was a curious phenomenon to observe how all these young minds, sprung
from a stock of such ancient, unquestioning faith, had, so to say, been
born "poisoned;" or, to state the matter less metaphorically, had all
been born with instincts for the most pitiless and effortless reasoning
on all subjects human and divine.

As the hour approached when poor Myrtilla must change back to
Williamson, Esther rose to say good-bye.

"Come again soon, dear girl; you don't know the good you do me."

The good, dear woman was entirely done by her unwearied, sympathetic