Punch, or the London Charivari, Volume 153, August 29, 1917 by Various
page 55 of 63 (87%)
page 55 of 63 (87%)
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they suppose so popular and personable man as _Taradine_ could come
back to England under an assumed name without a number of highly inconvenient questions being asked? More seriously, I would ask if they really expect us to believe in the reconciliation on so deep a note of this nice butterfly and this callous husband, who never intended, but for the War, to come back from his big-game shooting, and who took no pains to arrange suitable guidance (there was a lawyer vaguely mentioned but he seems to have been singularly unobtrusive) for the obviously incompetent spouse whom he professes still to love? I am afraid it will not do. The one real point of weakness in the presentation was that Mr. EADIE could not modulate from the key of agreeable flippancy in which the comedy as a whole was set into that of the solemnly sentimental coda. Thus was the artistic unity of a pleasant trifle destroyed. Mr. DAWSON MILWARD'S clever careful method made the _Colonel_ a very live and plausible figure. Some of his intimate touches were exceedingly adroit. The authors deserve a fair share of the credit. Indeed there was throughout a suggestion of clever characterisation conspicuously above the average of this _genre_. _Penelope_ was an excellently developed part, rendered with unexpectedly mature skill by Miss STELLA JESSE. The _Vicar_ promised at first to be a new type, but the authors seemed to have lost interest in him half-way, and not even Mr. LAWRENCE HANRAY'S skill and restraint could quite save him. I rate Mr. EADIE as an actor too high to be much amused by him in obviously EADIE parts. "A man's reach must exceed his grasp." I think it just to Miss HOEY to say that she seemed a little handicapped by efforts of memory, a condition which will duly disappear and leave her charm to assert itself. Mr. GEORGE HOWARD was quite admirable as a Scots bank manager; Miss BLANCHE STANLEY, a really sound combination of essential |
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