After Waterloo: Reminiscences of European Travel 1815-1819 by Major W. E Frye
page 53 of 483 (10%)
page 53 of 483 (10%)
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suitable inscription; the inscription is effaced and is about to be
replaced by another in the German language in commemoration of the downfall of the _Tyrant_, as the Coalition are pleased to call him. This Tyrant is however extremely regretted by the inhabitants of Aix-la-Chapelle and not without reason, for he was a great benefactor to them and continually embellished the city, confirming and increasing its privileges. The inhabitants are not at all pleased with their new masters; for the behaviour of the Prussian military has been so insulting and overbearing towards the burghers and students that it is, I am told, a common exclamation among the latter, alluding to the Prussians having stiled themselves their deliverers: _De nostris liberatoribus, Domine, libera nos_. Indeed, I can evidently discern that they are not particularly pleased at the result of the battle of Waterloo. In the evening I went to the theatre, which has the most inconvenient form imaginable, being a rectangle. As anti-Gallicanism is the order of the day, only German dramas are allowed to be performed and this night it was the tragedy of Faust, or Dr Faustus as we term him in England, not the Faust of Goethe, which is not meant for nor at all adapted to the stage, but a drama of that name written by Klingmann.[18] It is a strange wild piece, quite in the German style and full of horrors and diableries. In this piece the sublime and terrible border close on the ridiculous; for instance the Devil and Faust come to drink in a beer-schenk or ale-house. 'Tis true the Devil is incognito at the time and is called "der Fremde" or "the Stranger"; it is only towards the conclusion of the piece that he discovers himself to be Satan.... The actor who played the part of the Stranger had something in his physiognomy very terrific and awe-inspiring. In another scene, which to us would appear laughable and absurd, but which pleases a German audience, three women in masks come on the stage to meet Faust, in a churchyard, and on unmasking display three skeleton heads. |
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