From a Bench in Our Square by Samuel Hopkins Adams
page 57 of 259 (22%)
page 57 of 259 (22%)
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timepiece of which Stepfather Time had heard the voice but never seen
the face. Each of three attempts to investigate with a view to negotiations had been frustrated by a crabbed and violent-looking man with a repellent club. Nevertheless, the voice alone had ensnared the connoisseur; it was, by the test of the pipe which he carried on all his quests, D in alt, and would thus complete the major chord of a chime which he had long been building up. (She had loved, best of all, harmonic combinations of the clock bells.) Every day he would halt in front of the place and wait to hear it strike, and its owner would peer out from behind it and shake a wasted fist and curse him with strange, hoarse foreign oaths, while Willy Woolly tugged at his trouser leg and urged him to pass on from that unchancy spot. All that he could learn about the basement dweller was that his name was Lukisch and he owed for his rent. Mr. Lukisch had nothing special against the queer old party who made sheep's eyes at his clock every day. He hated him quite impartially, as he hated everybody. Mr. Lukisch had a bad heart in more senses than one, and a grudge against the world which he blamed for the badness of his heart. Also he had definite ideas of reprisal, which were focused by a dispossess notice, and directed particularly upon the person and property of his landlord. The clock he needed as the instrument of his vengeance; therefore he would not have sold it at any price to the sheep-eyed old lunatic of the pushcart, who now, on the eve of his eviction, stood gazing in with wistful contemplation. Presently he passed on and Mr. Lukisch resumed his tinkering with the clock's insides. He was very delicate and careful about it, for these were the final touches, preparatory to his leaving the timepiece as a memento when he should quietly depart that evening, shortly before nine. What might happen after nine, or, rather, on the stroke of nine, was no worry |
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